Nice country ditty with a good lyrics, a melody you can sing along with, and a female harmony part that complements the hook with finesse.
Wow… it’s so nice to hear someone actually rap again. Call me old school… whatever. This style is just flat-out better than the unintelligible and profoundly unoriginal rubbish that the music industry is churning out lately. Listen carefully and pay attention all you mumble-rap losers. This is how it’s done. Kudos to the producer for a great guitar riff and head-bobbing beat. I would like to request a 12″ version with a nice long break about two thirds of the way through. That reminds me… why don’t songs have breaks anymore? In the words of Afrika Bambaataa, “The break beat is that part you look for in a record that let’s your God-self just get wild.” The break what started the entire hip hop music genre. Who doesn’t like a good break? Whaddaya say Anderson .Paak?
Gashi seems to be taking a page from The Weeknd’s playbook. Or perhaps it’s vice versa. I really like this track a lot. I’m a little more fond of the instrumental production on this record than I am the vocals. I know it may seem like a requirement to auto-tune these days, but I think this record would have been much more powerful without it.
Another enjoyable track from Gashi called “Paranoid.” Gashi… yes… we know you smoke. We’re very proud of you. 😂 The look and image he’s cultivated for himself is douchey, but I do like this track and video as well.
According to his bio, Alfie Templeman seems to know a thing or two about producing music. At only 17 years old, he’s managed to crank out an impressive, catchy ear-worm called “Things I Thought Were Mine.” It’s got a nice funky beat and a catchy melody. Promising product from this fella; looking forward to hearing more.
You’ll notice that there are no iTunes of Spotify links for this one. That’s because this record doesn’t seem to exist in streaming format. So I took my vinyl 12″ single and carefully recorded it. I’ve recently posted a tutorial on how to do this. Please enjoy this beautiful hip-hop classic from 1981! (Both vocal and instrumental versions are included!)
Groovy pop song with a great melody and a syncopated beat you can get down to. This song demonstrates that strategically placed gaps and moments of brief silence are an effective tool to make a song interesting, dynamic, and less fatiguing. I generally don’t care too much about lyrics, but I find these a little dumb. Perhaps I’m misinterpreting them, but they seem to be criticizing people who want stuff and assume that it’s born out of a desire to belittle others. Uh, no. Most people want a nice house to live in because they want a nice house to live in. Whatever. I still enjoy the tune.
When done right, Vocoder harmony is a really great sound. Imogen Heap’s Hide & Seek is the quintessential example. Chord OverStreet’s implementation is different, but really well done. The dreamy guitar with the attack removed, (a la Fleetwood Mac’s “Dreams,”) creates a fantastic atmosphere. I appreciate that he leaves nice pauses between the phrases in the chorus. Most popular music today doesn’t have the courage to take a moments like this, moments to let things breath and sink in. Claude Debussy is quoted as saying that “music is the space between the notes.” Glad to see that they decided to be patient and not rush through it. The chord choices are interesting and not just the obvious ones to go with the melody, and the multipart harmony in the bridge is a nice bonus. I would have liked the bridge to go a little further than it did.
This does fall under the category of “Pathetic Guy Song.” I would advise any guy who feels this way about a woman to seek therapy. You’re in for some really bad times.
When I saw the actual lyrics, I was disappointed. I liked what I thought I’d heard better:
I can take the losing sleep,
There’s pills to help anxiety,
I would take the mess you leave,
If I could give you what you need
A nice bubble gum pop record to groove out to. Nice rhythm guitar. The lyrics are a little silly… I guess he doesn’t have a girlfriend, so he’s decided his car is his girlfriend. Is he officially saying he’s a mechanophiliac? (You didn’t know that was a thing, did you?) Or is he just trying to turn his lemons into lemonade?