Nice country ditty with a good lyrics, a melody you can sing along with, and a female harmony part that complements the hook with finesse.
Wow… it’s so nice to hear someone actually rap again. Call me old school… whatever. This style is just flat-out better than the unintelligible and profoundly unoriginal rubbish that the music industry is churning out lately. Listen carefully and pay attention all you mumble-rap losers. This is how it’s done. Kudos to the producer for a great guitar riff and head-bobbing beat. I would like to request a 12″ version with a nice long break about two thirds of the way through. That reminds me… why don’t songs have breaks anymore? In the words of Afrika Bambaataa, “The break beat is that part you look for in a record that let’s your God-self just get wild.” The break what started the entire hip hop music genre. Who doesn’t like a good break? Whaddaya say Anderson .Paak?
The video reminds me a little bit of the Jackson’s “Can You Feel It.” Kinda bizzaro-futuristic with WAY too many sound effects dubbed in. Anyway, it’s not a super-interesting song, but it’s good for a few listens. I’m blogging about it almost out of obligation; it has a great horn part! I think they’re like REAL HORNS! How great is it to hear that again?! I’d like the song better if there were a 12″ version with a nice long break. But I guess breaks have fallen out of fashion these days.
Gashi seems to be taking a page from The Weeknd’s playbook. Or perhaps it’s vice versa. I really like this track a lot. I’m a little more fond of the instrumental production on this record than I am the vocals. I know it may seem like a requirement to auto-tune these days, but I think this record would have been much more powerful without it.
Another enjoyable track from Gashi called “Paranoid.” Gashi… yes… we know you smoke. We’re very proud of you. 😂 The look and image he’s cultivated for himself is douchey, but I do like this track and video as well.
According to his bio, Alfie Templeman seems to know a thing or two about producing music. At only 17 years old, he’s managed to crank out an impressive, catchy ear-worm called “Things I Thought Were Mine.” It’s got a nice funky beat and a catchy melody. Promising product from this fella; looking forward to hearing more.
There’s nothing terribly interesting about this song, but it is well performed and well produced. Donna Missal gives a solid, soulful vocal performance here. She has an understanding of articulation, phrasing, and enunciation that puts her well above the garden variety pop singer. 1 point deduction for vocal fry. 🤨
Groovy pop song with a great melody and a syncopated beat you can get down to. This song demonstrates that strategically placed gaps and moments of brief silence are an effective tool to make a song interesting, dynamic, and less fatiguing. I generally don’t care too much about lyrics, but I find these a little dumb. Perhaps I’m misinterpreting them, but they seem to be criticizing people who want stuff and assume that it’s born out of a desire to belittle others. Uh, no. Most people want a nice house to live in because they want a nice house to live in. Whatever. I still enjoy the tune.
Three sisters make up the Los Angeles based band HAIM. I like the production on this track. Terrific multi-part harmony. And it’s nice to hear something that isn’t so quantized, auto-tuned, and polished to the point is has no organic life left in it. It sounds a bit you’re listening to them play it live in their living room. I’m digging it!